Genre: Historical Fiction with a bit of magic…
In Let Us Descend, Jesmyn Ward weaves the horrifying and harsh realities of southern slave life with spiritual and magical fantasy elements to share the story of Annis. Annis and her mother are forced to separate by Annis’ evil owner who is also her sire. Separated by a year, he forces both mother and daughter from his plantation in the Carolinas on a march to the slave auction in New Orleans. Annis senses the presence of a spirit - who claims to have engaged with both her grandmother and mother in dark and difficult times.
I am not as familiar with Ward’s work as I will become. I needed to “sit” with this book and let the horror of history sink in. Ward is not particularly graphic or overly emotional, but the profound torture and loss experienced by these enslaved characters is captured. I can’t imagine the horror of having no female body autonomy. I can’t imagine a forced separation from those I love, most especially my children. I can’t imagine experiencing the cruel punishments devised by slave owners. Oh, I could go on and on, but Ward’s work in this novel makes all of these real. When I reckon with the fact that Annis is a child whose whole life has been made up of these things - I can almost struggle to continue reading. Somehow, Ward weaves in a fantastical, spiritual element throughout the text. I had to do some reading to wrap my head more fully around Annis’ visions as she descends deeper into the south, loneliness, and hellishness. In his article “The Spirits of Let Us Descend, Explained” (https://www.oprahdaily.com/entertainment/books/a46029503/the-spirits-of-let-us-descend-explained/) Charley Burlock details Ward’s development of this spiritual component. He reminds us that a spiritual component is historically attached to the enslaved Africans in America. He notes that Ward wasn’t comfortable ascribing her Catholic faith (with which she is no longer a fit for her) or West African gods to her characters. Instead she develops her own goddess Aza who accompanies Annis on this journey, just as she claims to have accompanied Annis’ mother and grandmother. Annis is very much a product of the life Annis lives. She is a bit selfish and manipulative - and seems fitting for the life Annis must survive in. She brings some hope and connection to the women in her life, however, leaving Annis less bereft in the hellishness suggested by the novel’s title an allusion to Dante. As she must, Annis incorporates Aza into her life in the way that works for her. She must be practical and independent in order to survive and approaches this spirit realm in the same way. But ultimately the spirit helps her escape and have a hope of building a free life of her own. The writing here is just superb - from character and setting building to the lyrical supernatural elements - this difficult and often horrific content is delivered with the reverence it deserves.
I was inspired to read about Jesamyn Ward and her writing after having read this book. I needed more context about the spiritual elements and was fascinated by her recounting of how she created them in the above article. Through that I read descriptions of her earlier memoir work and learned that she lost her partner to a respiratory illness in the very beginnings of the Covid epidemic while she was crafting this novel. In an interview recounted in “Novelist Jesmyn Ward: ‘Losing my partner almost made me stop writing,’” Emma Brockes notes this from Ward, “When everything in the world changes, these questions remain. ‘How do I live with this? Not in spite of it. How do I live with this?’”(https://www.theguardian.com/books/2023/oct/21/novelist-jesmyn-ward-losing-my-partner-almost-made-me-stop-writing).
And here’s this thing - the questions of modern day novelist Jesmyn Ward reflect nearly perfectly the questions of enslaved Annis in the 1860s. And if we are honest with ourselves, often the question of the readers’ lives as well. Gosh, I appreciate her transparency. She humanizes Annis - and while I can’t relate to her experiences AT ALL, I can relate to her questions. What that does for me is make the slavery experience much more personal. Does that matter? I think it does. So many folks are trying to create this narrative of “That” was so long ago (slavery),” and try to remove themselves from our nation’s history. What that does (I’m afraid is doing) is slide us as a culture toward removing the attitudes, the legislation, the policies we’ve put in place to try and create a more equal nation. I just completed Doris Kearns Goodwin’s An Unfinished Love Story where I learned a great deal about the passage of the Civil Rights Act which led me to documentaries and podcasts where I learned even more. I feel so passionate that we can’t go backwards when so much forward work still needs to be completed. Ward’s Let Us Descend inspires me at so many levels. I recommend you read it and see.